Un día Bravo

This work, of a documentary kind, narrates the vicissitudes in the life of an old lady, during one day. The scenes in the video develop in the context of a fearful family, who is reluctant to the footage. The silent agreement of the protagonist (the old lady), and the intruding and inquisitional character of the camera, constitute the central conflict presented in the work. Paraphrasing the theorist Raquel Schefer, the work stages the conflict between the desire to watch and the ethical limits of the act of watching.