Essays on Eisenstein

Audiovisual essay on the montage of attractions by S. Eisenstein. This interactive essay, which allows us to observe in detail the 'horizontal' and 'vertical' montage of The General Line (1929), is in relation to my article on Eisenstein montage entitled «Shaping the Audience». Through chrono-videography, and the spatial and temporal reorganization of the film's shots, this application allows us to contemplate the composition criteria of each frame, and also the criteria of formal continuity between the shots—composition, movement and continuity-disruption, as well as ellipsis and rhetorical figures that are built between the different takes—